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<channel>
	<title>Qingci Zhang</title>
	<link>https://qingcizhang.xyz</link>
	<description>Qingci Zhang</description>
	<pubDate>Mon, 31 Mar 2025 10:43:16 +0000</pubDate>
	<generator>https://qingcizhang.xyz</generator>
	<language>en</language>
	
		
	<item>
		<title>Index</title>
				
		<link>https://qingcizhang.xyz/Index-2</link>

		<pubDate>Tue, 18 Apr 2023 08:08:41 +0000</pubDate>

		<dc:creator>Qingci Zhang</dc:creator>

		<guid isPermaLink="true">https://qingcizhang.xyz/Index-2</guid>

		<description></description>
		
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	<item>
		<title>Suspicious Stain</title>
				
		<link>https://qingcizhang.xyz/Suspicious-Stain</link>

		<pubDate>Mon, 31 Mar 2025 10:43:16 +0000</pubDate>

		<dc:creator>Qingci Zhang</dc:creator>

		<guid isPermaLink="true">https://qingcizhang.xyz/Suspicious-Stain</guid>

		<description>&#60;img width="2500" height="3500" width_o="2500" height_o="3500" data-src="https://freight.cargo.site/t/original/i/167a9cf852db2110ec3f4a03642e311eedc99ed54bdd9468f53065ae25d0a12d/Suspicious_Stain_2024-14.jpg" data-mid="229033578" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/167a9cf852db2110ec3f4a03642e311eedc99ed54bdd9468f53065ae25d0a12d/Suspicious_Stain_2024-14.jpg" /&#62;&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/0b21a9714b2df31a7735b859f3e123d656b321fb9bbce08e512c532fca755440/Suspicious_Stain_2024-5.jpg" data-mid="229033773" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/0b21a9714b2df31a7735b859f3e123d656b321fb9bbce08e512c532fca755440/Suspicious_Stain_2024-5.jpg" /&#62;&#60;img width="2500" height="3500" width_o="2500" height_o="3500" data-src="https://freight.cargo.site/t/original/i/639627c56727a8311a1a8a05935b55142f6b3a6f7a3eb5733d24f49870481f67/Suspicious_Stain_2024-11.jpg" data-mid="229047335" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/639627c56727a8311a1a8a05935b55142f6b3a6f7a3eb5733d24f49870481f67/Suspicious_Stain_2024-11.jpg" /&#62;&#38;nbsp;&#38;nbsp;&#60;img width="2500" height="3500" width_o="2500" height_o="3500" data-src="https://freight.cargo.site/t/original/i/03ea58c020bdd293c26bc4b8323b4a17f35f8936ebf21ae9de3f785c7d6481c3/Suspicious_Stain_2024-7.jpg" data-mid="229104228" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/03ea58c020bdd293c26bc4b8323b4a17f35f8936ebf21ae9de3f785c7d6481c3/Suspicious_Stain_2024-7.jpg" /&#62;&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/e90b8e54e6405bc80faaf55480475de335ecaadff06eab47103cb22b14bb7757/Suspicious_Stain_2024-4.jpg" data-mid="229045128" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e90b8e54e6405bc80faaf55480475de335ecaadff06eab47103cb22b14bb7757/Suspicious_Stain_2024-4.jpg" /&#62;&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/6dd2e840a3de016413eddc76bd02430795b0ee56d4da1801ff0a25daa28f892e/Suspicious_Stain_2024-10.jpg" data-mid="229047423" border="0"  src="https://freight.cargo.site/w/1000/i/6dd2e840a3de016413eddc76bd02430795b0ee56d4da1801ff0a25daa28f892e/Suspicious_Stain_2024-10.jpg" /&#62;&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/96930038957e91dec3a9f2ce67cf1e89a20372949fad75aaf3209c0de70fe26a/Suspicious_Stain_2024-15.jpg" data-mid="229111118" border="0"  src="https://freight.cargo.site/w/1000/i/96930038957e91dec3a9f2ce67cf1e89a20372949fad75aaf3209c0de70fe26a/Suspicious_Stain_2024-15.jpg" /&#62;&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/cacc510d77ac00a4d8add9bf0f9e8f464f82cdf7679b5371813148b83d86ae5c/Suspicious_Stain_2024-19.jpg" data-mid="229047300" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/cacc510d77ac00a4d8add9bf0f9e8f464f82cdf7679b5371813148b83d86ae5c/Suspicious_Stain_2024-19.jpg" /&#62;&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/f0bc9b32864e558c94c5a2637dd0d68a463b81314502ec948ab953f765d7743b/Suspicious_Stain_2024-24.jpg" data-mid="229049071" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f0bc9b32864e558c94c5a2637dd0d68a463b81314502ec948ab953f765d7743b/Suspicious_Stain_2024-24.jpg" /&#62;
Suspicious Stain &#124; 可疑污点

"Suspicious Stain" is a performance that traces the bodily histories of women who grew up in China and are now based in various European countries, including Finland and Germany. It reflects on their perpetual flight from suspect identities: as Chinese citizens, women, 'blood packages', costs of rapid development, 'huminerals' (human minerals), patriarchal patches, and colonial fantasies. This work explores the constant diasporic state embodied by these women, focusing on internalized surveillance, bodily colonization, and extractive capitalism's impact on the female body in a post-colonial context.




The work opens a dialogue on embodied shame, fears, and trauma carried by women who kept escaping without nostalgia. It invites both participants and audiences on a journey of escape and disengagement, unfolding through constant hesitation and disorientation.
"Suspicious Stain" is the artistic component of Qiong Zhang's doctoral research project 'Tracing Ghost Hallucinations in a World of Technological Surveillance', with questions of how national identity might be constructed through individual and collective fantasies and imagination? How the concepts of surveillance being imagined and practiced within people’s everyday life ideologically and politically?





&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/e85378b7957f4a341dbf2f6a428245f117cb7cfa4e45980b1a5a3ef4c50b1781/Suspicious_Stain_2024-12.jpg" data-mid="229047436" border="0"  src="https://freight.cargo.site/w/1000/i/e85378b7957f4a341dbf2f6a428245f117cb7cfa4e45980b1a5a3ef4c50b1781/Suspicious_Stain_2024-12.jpg" /&#62;
Working group:


Direction and dramaturgy: Qiong Zhang
Performance: Christy Ma, Qiong Zhang, Xiaole Wang, Yumo Cheng
Sound design: Johanna Sulalampi
Light design: David Brabec
Costume support: Alena Tereshko
Producer: Nina NumminenPhotography: Jere AaltoPremiered in November 2024 at Teak Theater, Uniarts Helsinki.







Supported by: Finnish Cultural Foundation, Performing Arts Research Center Tutke in Theater Academy, Uniarts Helsinki.





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	<item>
		<title>Sending the Millet</title>
				
		<link>https://qingcizhang.xyz/Sending-the-Millet</link>

		<pubDate>Wed, 31 Jul 2024 10:09:37 +0000</pubDate>

		<dc:creator>Qingci Zhang</dc:creator>

		<guid isPermaLink="true">https://qingcizhang.xyz/Sending-the-Millet</guid>

		<description>

Sending the Millet, 1 on 1 Performance, Cable Factory, Helsinki, Finland, 2024




&#60;img width="4608" height="3456" width_o="4608" height_o="3456" data-src="https://freight.cargo.site/t/original/i/262d70ec64d4be8178366a8ed48c191c0126607d1007dc005c18ca2c8663bdfd/qiongzhang_millet.JPG" data-mid="215603614" border="0"  src="https://freight.cargo.site/w/1000/i/262d70ec64d4be8178366a8ed48c191c0126607d1007dc005c18ca2c8663bdfd/qiongzhang_millet.JPG" /&#62;










The audience enters a semi-sheltered, translucent space to engage in an intimate conversation with me about a scar on their body and its story. Participants may choose to reveal the exact scar or indicate its approximate location beneath their clothing.


After listening to each participant's narrative, I gently and repeatedly scatter foxtail millet over their scars. The application varies for each individual, reflecting their unique bodily stories and relationship with the scar. The performance concludes when I perceive a subtle shift in the participant's body, mind, breath, or in our shared atmosphere.


Foxtail millet, one of the world's oldest crops and a staple in ancient China, holds significance in my hometown near the Tibetan Plateau, where it was used in daily cleansing and exorcism rituals. In this work, each participant's body receives foxtail millet as a gift, believed to bring healing and purification. The millet used is freshly imported from China by myself and fellow Chinese students studying in Finland.


This ongoing process spans two days, with each session lasting approximately 5-10 minutes. As audiences come and go, a layer of yellowish millet gradually accumulates on the performance space floor. Some millet clings to participants' shoes and clothes, accompanying them on their journeys to other parts of the world.





&#60;img width="3520" height="1980" width_o="3520" height_o="1980" data-src="https://freight.cargo.site/t/original/i/5fd7ad007a30c857bcb1e15a230fbccdb6b16d26f31bd7594aeecfdaa00708d0/3.JPG" data-mid="215668123" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/5fd7ad007a30c857bcb1e15a230fbccdb6b16d26f31bd7594aeecfdaa00708d0/3.JPG" /&#62;&#60;img width="3520" height="1980" width_o="3520" height_o="1980" data-src="https://freight.cargo.site/t/original/i/d5e99550b43477684188edb37645bcb0a35b137ef0f1f98730bd5a5522674193/8.JPG" data-mid="215680327" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/d5e99550b43477684188edb37645bcb0a35b137ef0f1f98730bd5a5522674193/8.JPG" /&#62;&#60;img width="3520" height="1980" width_o="3520" height_o="1980" data-src="https://freight.cargo.site/t/original/i/b585f41eddb49d1ef353d259a71f2c1d2edd31d74c803eb3ff50b4c6ccc69271/6.JPG" data-mid="215668285" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/b585f41eddb49d1ef353d259a71f2c1d2edd31d74c803eb3ff50b4c6ccc69271/6.JPG" /&#62;&#60;img width="3520" height="1980" width_o="3520" height_o="1980" data-src="https://freight.cargo.site/t/original/i/48df5665287b8c3c765a4379fbb858983fbc8d41f1e28544dd59186bd3593461/huang.JPG" data-mid="215680367" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/48df5665287b8c3c765a4379fbb858983fbc8d41f1e28544dd59186bd3593461/huang.JPG" /&#62;&#60;img width="3520" height="1980" width_o="3520" height_o="1980" data-src="https://freight.cargo.site/t/original/i/68e02e9259fb4eb17123f313d3848c170ebabff913e1e9f3aff78388067a3c35/1.JPG" data-mid="215668126" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/68e02e9259fb4eb17123f313d3848c170ebabff913e1e9f3aff78388067a3c35/1.JPG" /&#62;
photo 1 by Qiong Zhang
photo 2-5 by Jing Xie
</description>
		
	</item>
		
		
	<item>
		<title>Push Down the Great Wall</title>
				
		<link>https://qingcizhang.xyz/Push-Down-the-Great-Wall</link>

		<pubDate>Tue, 04 Jun 2024 19:38:13 +0000</pubDate>

		<dc:creator>Qingci Zhang</dc:creator>

		<guid isPermaLink="true">https://qingcizhang.xyz/Push-Down-the-Great-Wall</guid>

		<description>Push Down the Great Wall,&#38;nbsp;Performance, Gansu, China, 2024
&#60;img width="6192" height="4128" width_o="6192" height_o="4128" data-src="https://freight.cargo.site/t/original/i/fb275e06961b87a9d689a7bad029937c954831230b7d5ed5885ae9a0664ba764/0.jpg" data-mid="212343247" border="0"  src="https://freight.cargo.site/w/1000/i/fb275e06961b87a9d689a7bad029937c954831230b7d5ed5885ae9a0664ba764/0.jpg" /&#62;
	











At the geographical starting point of the earliest Great Wall of China, the Great Wall of Qin in Lintao, Gansu, I stacked walls of different shapes with bricks on the deserted ruins of the ancient wall, then pushed them down or let the wall collapse by itself.


The performance takes place at the starting point of the largest military project built by China's first emperor more than 2,000 years ago with the labour and resources of the whole country. Yet few people can find it today. Back to the beginning of all walls, back to the end of time and space, back to the time when more than two thousand years of imprisonment were about to begin, I added another absurd wall on top of the great wall. I changed the orientation of a brick. I stretched out a finger and pushed down a crumbling wall.











Since the early 21st century, the Chinese government has been building an ever-expanding Great Firewall to protect its citizens from dangerous ideas from the rest of the world. It has now grown into an almost unassailably large and complex system of technological surveillance and censorship. Unlike the ancient Great Wall, most people living behind the newly built Great Firewall are unaware of its existence and its impact on their lives. 



Camera: Dazi






&#60;img width="5073" height="3382" width_o="5073" height_o="3382" data-src="https://freight.cargo.site/t/original/i/5e494429edad92952a95fd29bb5ea79d527301c5c534b5ff0bd9d23741a63453/2.jpg" data-mid="212343264" border="0"  src="https://freight.cargo.site/w/1000/i/5e494429edad92952a95fd29bb5ea79d527301c5c534b5ff0bd9d23741a63453/2.jpg" /&#62;
&#60;img width="6192" height="4128" width_o="6192" height_o="4128" data-src="https://freight.cargo.site/t/original/i/270fc60757136619ac51b27a34bf406d7eb3b85468f5ae7e4c7161ed94bef8f5/1.jpg" data-mid="212343249" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/270fc60757136619ac51b27a34bf406d7eb3b85468f5ae7e4c7161ed94bef8f5/1.jpg" /&#62;

&#60;img width="6192" height="4128" width_o="6192" height_o="4128" data-src="https://freight.cargo.site/t/original/i/ad2ce9226005e3932e668e7e810933be52b66e90ede9a688e846a301bb511869/8.jpg" data-mid="212351254" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/ad2ce9226005e3932e668e7e810933be52b66e90ede9a688e846a301bb511869/8.jpg" /&#62;&#60;img width="6192" height="4128" width_o="6192" height_o="4128" data-src="https://freight.cargo.site/t/original/i/64c54bbc355f7a080664a7b51d0f6f9a081869dcc8a527adba50057aa0a70be4/9.jpg" data-mid="212351258" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/64c54bbc355f7a080664a7b51d0f6f9a081869dcc8a527adba50057aa0a70be4/9.jpg" /&#62;&#60;img width="6192" height="4128" width_o="6192" height_o="4128" data-src="https://freight.cargo.site/t/original/i/9735c23e9a55c0bcc38668e7f5f5a7bdf9cf676492607b637153281ab4bd89e3/10.jpg" data-mid="212351265" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/9735c23e9a55c0bcc38668e7f5f5a7bdf9cf676492607b637153281ab4bd89e3/10.jpg" /&#62;</description>
		
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		<title>Every time I throw a fishing net into the air, a ghost from the past falls into the pit</title>
				
		<link>https://qingcizhang.xyz/Every-time-I-throw-a-fishing-net-into-the-air-a-ghost-from-the-past</link>

		<pubDate>Mon, 24 Jul 2023 15:52:39 +0000</pubDate>

		<dc:creator>Qingci Zhang</dc:creator>

		<guid isPermaLink="true">https://qingcizhang.xyz/Every-time-I-throw-a-fishing-net-into-the-air-a-ghost-from-the-past</guid>

		<description>Every time I throw a fishing net into the air, a ghost from the past falls into the pit

Performance/ Video 12,20min, 










Kisko, Finland, 2023

&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/a82b20e3b2c323dcecba783c8a1bf7a319c6520c88628c5155dcb2c6f65f39c1/_DSC8305.jpg" data-mid="187362168" border="0"  src="https://freight.cargo.site/w/1000/i/a82b20e3b2c323dcecba783c8a1bf7a319c6520c88628c5155dcb2c6f65f39c1/_DSC8305.jpg" /&#62;&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/70e7d8e265cbfe1d130e82e4998fd6c9cd92cb9df44569a3dcd5596c0744fed8/_DSC8331.jpg" data-mid="187395844" border="0"  src="https://freight.cargo.site/w/1000/i/70e7d8e265cbfe1d130e82e4998fd6c9cd92cb9df44569a3dcd5596c0744fed8/_DSC8331.jpg" /&#62;&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/224a0323476ea661c3e26c646b7cd5ff018d94508ea86252c430ae360151f203/_DSC8507.jpg" data-mid="187362196" border="0"  src="https://freight.cargo.site/w/1000/i/224a0323476ea661c3e26c646b7cd5ff018d94508ea86252c430ae360151f203/_DSC8507.jpg" /&#62;

&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/d401b92d2b6efd77ecc2785661fb345278c3a903a918cb7c3d3922116fb0af87/_DSC8463.jpg" data-mid="187389014" border="0"  src="https://freight.cargo.site/w/1000/i/d401b92d2b6efd77ecc2785661fb345278c3a903a918cb7c3d3922116fb0af87/_DSC8463.jpg" /&#62;
This work emerges from my research on depleted mine pits and historical excavation and discard activities in northwest China and Finland. 


In the performance, I attempt to approach the process of discarding, and perform the act of discarding at the Orijärvi deposit, a depleted copper mine in Southwest Finland. Standing next to a pile of weathered copper ore rocks, I kept throwing a fishing net into the air, pushing the morphing twisted monster out of my sight, although it always returns to me after a while. I imagine the excavation-discard process as a slow-motion discus-throwing movement, a discarded mine pit would be like a discus thrown into the void, while the mine pit became a trap. Within the void of the trap, something has been erased. Through the performance of discard, I attempt to reveal the overlapping layers of excavation and hidden human traces.


This work is also a parody of a jokey Chinese urban legend, according to which, if my excavation were an ancient tomb, I should bring a fishing net in case the ghosts and corpses resting lying inside jumped out at me while I was excavating the treasures. At that moment, I could throw the always useless net at them, tangling them, cancelling out their power by a crucial throwing.Camera: Okko Oinonen

 &#60;img width="2852" height="1620" width_o="2852" height_o="1620" data-src="https://freight.cargo.site/t/original/i/094af2eff2e491448de585320cc5157f902a888531268ce9a39b980dc07e449e/fishing3.jpg" data-mid="187382639" border="0"  src="https://freight.cargo.site/w/1000/i/094af2eff2e491448de585320cc5157f902a888531268ce9a39b980dc07e449e/fishing3.jpg" /&#62;&#60;img width="2868" height="1620" width_o="2868" height_o="1620" data-src="https://freight.cargo.site/t/original/i/16ece6527998a63cf039df15ea3f19e1d5a3092649ec8cb3a516d7e26ca46bc5/fishing7.jpg" data-mid="187388451" border="0"  src="https://freight.cargo.site/w/1000/i/16ece6527998a63cf039df15ea3f19e1d5a3092649ec8cb3a516d7e26ca46bc5/fishing7.jpg" /&#62;&#60;img width="2866" height="1624" width_o="2866" height_o="1624" data-src="https://freight.cargo.site/t/original/i/1626c01f51cb2da9ddd68c8762aabce14dc7b4031d938fab8c08610bca918ece/fishing5.jpg" data-mid="187388457" border="0"  src="https://freight.cargo.site/w/1000/i/1626c01f51cb2da9ddd68c8762aabce14dc7b4031d938fab8c08610bca918ece/fishing5.jpg" /&#62;
Image 5-7,&#38;nbsp;










A sequence of film stills of my performance at the Orijärvi Copper Mine in Kisko, Salo, Finland (2023)</description>
		
	</item>
		
		
	<item>
		<title>Baltic Sea Exodus</title>
				
		<link>https://qingcizhang.xyz/Baltic-Sea-Exodus</link>

		<pubDate>Tue, 18 Apr 2023 07:54:48 +0000</pubDate>

		<dc:creator>Qingci Zhang</dc:creator>

		<guid isPermaLink="true">https://qingcizhang.xyz/Baltic-Sea-Exodus</guid>

		<description>
	
Baltic Sea Exodus, Performance/ Film, 2 hours, Baltic Sea, Espoo, Finland, 2022


I printed images of 83 disappeared women from Chinese social media and made them into a deck of tarot cards. I then scattered the cards into the Baltic Sea. I was sitting in the boat, blowing bubble gum and floating in the sea with them. Later, I retrieved some of them with a fishing net. As I started the performance, a sudden snowfall blanketed us and the entire area.


The Baltic Sea is regarded as "the sea of escape“ due to refugee escape during World War II by maritime archaeologist Mirja Arnshav. People from various countries cross this sea to escape the threat of death. Some of them survived, while others lost in this sea forever as they tried to escape.
Camera: Okko Oinonen



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	</item>
		
		
	<item>
		<title>Impromptu Escape</title>
				
		<link>https://qingcizhang.xyz/Impromptu-Escape</link>

		<pubDate>Tue, 18 Apr 2023 07:54:46 +0000</pubDate>

		<dc:creator>Qingci Zhang</dc:creator>

		<guid isPermaLink="true">https://qingcizhang.xyz/Impromptu-Escape</guid>

		<description>

	&#60;img width="6181" height="4121" width_o="6181" height_o="4121" data-src="https://freight.cargo.site/t/original/i/1ace011134dcbdf8d24c362e32724c5f7ee3aab3a64b10994feec685caf4296f/1.jpg" data-mid="185866564" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/1ace011134dcbdf8d24c362e32724c5f7ee3aab3a64b10994feec685caf4296f/1.jpg" /&#62;
Impromptu Escape, Performance, 1 hour, Helsinki, Finland, 2022


I tied an iron chain to my neck, dragging a bouquet of flowers, walking back and forth on the street of Helsinki in the early spring snowmelt. I posted some photos of myself walking with the chain and flowers on Weibo, China's Twitter; they lasted seven hours before being blocked from all Chinese social media platforms and permanently deleted due to the massive reposting and conversation they sparked&#38;nbsp;in the specific cyberspace.
&#38;nbsp;Camera: Yujie Zhou.


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	</item>
		
		
	<item>
		<title>Mansblow</title>
				
		<link>https://qingcizhang.xyz/Mansblow</link>

		<pubDate>Tue, 31 Mar 2020 04:25:21 +0000</pubDate>

		<dc:creator>Qingci Zhang</dc:creator>

		<guid isPermaLink="true">https://qingcizhang.xyz/Mansblow</guid>

		<description>
	
&#60;img width="3840" height="2400" width_o="3840" height_o="2400" data-src="https://freight.cargo.site/t/original/i/0de8e9043cecaf760f93fcd41fc0b779bcc5318721f5ea21db26d03db6b0ab15/Mansblow.png" data-mid="185787395" border="0"  src="https://freight.cargo.site/w/1000/i/0de8e9043cecaf760f93fcd41fc0b779bcc5318721f5ea21db26d03db6b0ab15/Mansblow.png" /&#62;

Mansblow
&#38;nbsp;
Performance/ Video,&#38;nbsp; 03’43”, Guangzhou, China, 2021

A man blows hard on a suona, trying to inflate the balloon attached to the instrument. The trumpet describes a kind of chatter and a constant harsh sound. The sound is particularly odd when the player is unfamiliar with the instrument. In an extremely patriarchal place, we tried to capture the very obvious yet indescribable feeling of being a woman.
This work is a collaboration of Hijack打劫.&#38;nbsp;Supported by CT20.

Featuring performer: Xizi.

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ad2a61702ba291ff8a3e981bfb1314f7f5b575a416ee1b4c5e7662d85f210ac2/xizi_Hijack_Vase_03.jpeg" data-mid="187241395" border="0"  src="https://freight.cargo.site/w/1000/i/ad2a61702ba291ff8a3e981bfb1314f7f5b575a416ee1b4c5e7662d85f210ac2/xizi_Hijack_Vase_03.jpeg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Vase</title>
				
		<link>https://qingcizhang.xyz/Vase</link>

		<pubDate>Tue, 18 Apr 2023 09:31:49 +0000</pubDate>

		<dc:creator>Qingci Zhang</dc:creator>

		<guid isPermaLink="true">https://qingcizhang.xyz/Vase</guid>

		<description>
Vase
Performance/ Video, 12’43”, Guangzhou, China, 2021.

&#60;img width="3840" height="2400" width_o="3840" height_o="2400" data-src="https://freight.cargo.site/t/original/i/96b83b746eae63509d4a460e243303e90d5ffd1a8548d25d112b334d340f3943/huaping1.png" data-mid="176616010" border="0"  src="https://freight.cargo.site/w/1000/i/96b83b746eae63509d4a460e243303e90d5ffd1a8548d25d112b334d340f3943/huaping1.png" /&#62;Three men sit around a large porcelain vase near a construction site, pulling on their underwear and blowing a (broken) suona, making a faint but pervasive sound. Another male waiter in a suit holds up a microphone and picks up the sound, his movements triggered by the actions and sounds of the other men, magnifying their subtly arrogant actions by quickly highlighting them, as if he were holding a tracking device and a loudspeaker.
'Vase' is a popular term used to describe a superficially good-looking woman. It is a term widely used in China to stigmatise women. It refers to a stereotyped image of a beautiful woman who is perceived to be incompetent, or her endeavours and intelligence are always overshadowed by her appearance.Men slapping their waistbands is a typical image of an extremely arrogant and commanding man, referring to an archetype of traditional masculinity, while adding humour and tension to the seemingly casual, even run-down environment where they lived at the time.

The construction site was previously a restaurant, which was quickly demolished during the process as we prepared for the work. The restaurant and the whole ruin where we initially planned to do the work was all gone in three days. 
This work is a collaboration of Hijack打劫. Supported by CT20.Performer: Xizi, Mahui, Jianhao, Qiufeng Qingqing

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f0ebea38e1a7de85131893abb67c52721a33dbf6c9b216df63835f37a293c912/DSC03858.jpeg" data-mid="187460056" border="0"  src="https://freight.cargo.site/w/1000/i/f0ebea38e1a7de85131893abb67c52721a33dbf6c9b216df63835f37a293c912/DSC03858.jpeg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/b7af3145341d27529913ae690c37a7757162a4d2a2fc8981271d7f508ef215d7/DSC03920.jpeg" data-mid="187459974" border="0"  src="https://freight.cargo.site/w/1000/i/b7af3145341d27529913ae690c37a7757162a4d2a2fc8981271d7f508ef215d7/DSC03920.jpeg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Where The Girl Walked</title>
				
		<link>https://qingcizhang.xyz/Where-The-Girl-Walked</link>

		<pubDate>Tue, 31 Mar 2020 04:29:48 +0000</pubDate>

		<dc:creator>Qingci Zhang</dc:creator>

		<guid isPermaLink="true">https://qingcizhang.xyz/Where-The-Girl-Walked</guid>

		<description>
&#60;img width="1706" height="1279" width_o="1706" height_o="1279" data-src="https://freight.cargo.site/t/original/i/9c24aebf0219e995c6184a3c8d50e9a70d5a33f914046ea775cc1f78180c3d0a/wherethegirl.jpeg" data-mid="185782409" border="0"  src="https://freight.cargo.site/w/1000/i/9c24aebf0219e995c6184a3c8d50e9a70d5a33f914046ea775cc1f78180c3d0a/wherethegirl.jpeg" /&#62;

Where The Girl Walked
 Performance/ Two-Channel Video, 14’49”, 16‘47”, Guangzhou, China, 2021In the early morning, a man nudged a jackfruit with his hands as he walked along a path in Xiaozhou village. In the evening, another man kicked the same jackfruit while walking along the same path. Along the way, both men and the nudged kicked jackfruit passed 'Mother's Bridge' and a closed shop called 'Where the Girl Walked'. The jackfruit is a unique fruit native to the far south of China and south-east Asia. It has a barbed shell, and is usually opened violently with a knife. One of the imagery this work refers to is the local women who live with chronic violence without even realising it. 

This work is a collaboration of Hijack打劫.&#38;nbsp;Supported by CT20.
Performers: Xizi, Yifei Chen.

&#60;img width="1500" height="843" width_o="1500" height_o="843" data-src="https://freight.cargo.site/t/original/i/55a42123455dac7807f021d28a06108108e4159767c5a5719ec2cb39477c6b58/LL21-Hijack-Vase-05.jpeg" data-mid="187218956" border="0"  src="https://freight.cargo.site/w/1000/i/55a42123455dac7807f021d28a06108108e4159767c5a5719ec2cb39477c6b58/LL21-Hijack-Vase-05.jpeg" /&#62;&#60;img width="1500" height="843" width_o="1500" height_o="843" data-src="https://freight.cargo.site/t/original/i/48d642a220230af32d16d30d13324609fb3264de6ae37c19e67422cc0611b328/LL21-Hijack-Vase-04.jpeg" data-mid="187218987" border="0"  src="https://freight.cargo.site/w/1000/i/48d642a220230af32d16d30d13324609fb3264de6ae37c19e67422cc0611b328/LL21-Hijack-Vase-04.jpeg" /&#62;</description>
		
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